ASYL

First broadcast 01.16. 1990  / WDR – Writer: Helmut Marko – Director: Frank Hübner – Music: Harald Blüchel

Cast: Lars Ahlbory (Harald), Simon Roden (Chalil), Katja Wittig (Sabrina)

 

DER DRACHE IST TOD

First broadcast: July 1990 / WDR – written by: Helmut Marko –directed by: Frank Hübner

Music: Harald Blüchel

 

COMPUTERLIEBE

First broadcast 09.24.1991 / WDR – written by: Helmut Marko – directed by: Helmut Marko – Music:  Cosmic Baby/Harald Blüchel

Cast: Ralph Hüttig (Paul, the Hacker), Antje Späth (Nona, the Computer), Stefanie Mühle (Isabella).

 

 

STERNSPRUNG

 

First broadcast: March 1992 / WDR – Autor: Ingo Golembiewski –

Director-Word: Helmut Marko – Music & Director Sound: Harald Blüchel – Cast: Antje Spät, Udo Kier und Christian Brückner

Sternsprung 39:10

 

 

 

 

 

 

 

TOOM 309 Cosmic Baby: „Sternsprung – music for an oceanic radioplay“,MP3/AAC Download Mini-Album

composed & produced by Cosmic Baby, engineered by Christian Graupner, mastered by Wolfgang Ragwitz

Thanks to: Helmut Marko, Ingeborg Ohme-Tröndle & Ingo Golembiewsky.  Special hugs to Isis Herzog, Lutz Berger, Iris Reisig and „Mörder Mike“ from Frankfurt/M.

 

Created between September and Dezember 1991

Published by Cosmic Enterprises

1 Die Symphonie der Sterne 06:16

2 Lebensraum 04:01

3 Vereinigte Frequenzen des Meeres 05:35

4 Unendliches Spiel 03:51

5 Sie & Wir 04:46

6 Ich berühre Dein Gesicht 04:02

7 Appell der Wale 02:59

8 Endtitel (Universal Mind) 06:17

 

 

The original soundtrack score material for the several award winning radio play “Sternsprung”, first transmitted 1992 on the German WDR station!

Chill-Out with content: the listener expects a musical journey into the depths of the ocean in the spirit of creative ecology and wholistic nature. This album also documents how the examination of Ingo Golembiewski’s text is drifting forward the musical idea of “Cosmic Baby”: Many of it is incorporated as inspiration into the later first main work “StellarSupreme”.

 

 

TAGEBUCH EINES STÄDTEBEWOHNERS (diary of a city dweller)

Produced Feb-März 2001 – Autor: Sabine Sölbeck – directed by Sabine Sölbeck  – mix & production: Harald Blüchel – Mastering: Wolfgang Ragwitz – Casting: Wilfried Hochholdinger

Cast: Christel Peters (Frau Illermann), Gabriele Scharnitzky (Suse Schlicht), Tamara Simonovic (Sophie Schlicht), Catherine Flemming (Schwester Ingrid), Sabine Sölbeck (Tagebuchschreiberin, Giftzwerg), Hanns Zischler (Manfred Schlicht), Wilfried Hochholdinger (Suse`s Mann), Pasquale Aleardi (Arzt, Nachrichtensprecher), Hans Peter Kahl (Kriminalkommissar).

Tagebuch eines Städtebewohners 38:00

 

 

 

 

 

 

 

THOUGHTS

 

15 years later –A work that was never been sent by public broadcast.

 

Sabine had written a sensational text. We decided to make a radio play out of it. Our friend Wilfried Hochholdinger spontaneously joined us. He approached great actor colleagues and won them over for the project. In February we made the voice recordings in my loft. From March on editing, music and mix followed with Wolfgang Ragwitz.

 

“In a second, twenty-four pictures. The memory is faster, much faster … A perpetual alsways on: ever. State of apparent clarity. History in the dissonant loop of recurring events “.

That`s how the radio play begins. It is about EVERYTHING:

 

Memory,

Success,

Love,

Anxiety,

Relationship,

Money,

Beauty,

Politics,

Illness,

Internet,

Age,

Expectations,

Media,

Life,

Death,

Struggle,

Consumption,

Illusion,

Hope,

News,

Advertising,

sparkle,

Print,

War,

Roll,

Believe,

fragmentation,

History,

Dreams.

 

The radio play dissolves in the digital Nirvana noise: “Self-deception of the everything-becomes-good. Until the happy ending brings something new. Still, I think … I think … I … chh … hhh … ”

 

The radio play was rejected by all leading radio play editors. If you listen to today`s features & radio plays, then that seems almost incomprehensible. We were too far ahead of our time in terms of technology, sound, content and courage. It was too defiantly radical, it lacked the “chic-pleasing” and, above all, we probably lacked an intrepid advocate in the broadcasters.

 

TOO BAD!