Now that the new website is taking shape and its “launch” won’t be very long in coming, thinking about new releases is also really fun.<\/p>\n
There’s a huge mountain of material that could be considered for possible releases, but I can actually proceed quite relaxed and intuitively with the selection, as I’ve already researched and composed quite purposefully in various main directions\/thematic projects in recent years:<\/p>\n
will start with “Toteninsel” as the first concrete new publication project.<\/p>\n
I’ve been working on the album for a few hours almost every evening for two weeks now.<\/p>\n
The basic thematic idea is clear and the rough dramaturgical structure in terms of the selection and order of the main parts is already in place. Now I travel back in time by remembering sounds or miniatures that could fit into the concept, bring them into the mix and try them out. I sit in front of my desk like a movie director at the editing table. <\/p>\n
“Die Toteninsel” is a sonic mind game. Initial situation: <\/p>\n
Description of the parallelism of a density of countless thoughts within the time of a cigarette puff.<\/p>\n
Key points:<\/p>\n
-creation of a stretching of time, a freezing of time.<\/p>\n
-Representation of parallelism with serial musical mids.<\/p>\n
-Equality of time: the components past, present and future are suspended in thinking. Everything happens now. <\/p>\n
– In thinking, it is irrelevant what has been “authentically” experienced by oneself or has virtually become one’s own reality through media (people, books, films, music).<\/p>\n
-Thinking is independent of time and space<\/p>\n
– Thinking as a permanent near-death experience: associative chains of images that shoot through the brain in milliseconds.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
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